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How to start writing a book can be challenging to learn. But I’ll break everything down for you today.

Not now, and not any time soon. You will get there more quickly, but up! Get prepared.

how to start writing a book

1. Plan your Story

Some books begin with a character – a picture. 

Most begin with a story. 

Let us say, by way of instance, you are Suzanne Collins having an idea in mind about a dystopian world in which children are designed to battle it out for survival television.

That’s the seed of a story, and, in this stage, we do not desire more, but you still have to write it down. On a blank sheet of paper (or, better yet, a monitor ), give yourself a heading (it may change, and it is often as straightforward story’), and write down everything you have. How to start writing a book isn’t hard. 

One sentence is nice. A couple of sentences is excellent.

Since if you’ve got your story down at a concise sentence or two, then you can understand its form and purpose considerably more positively than if you begin with five pages of waffle.

Yes, you will want to get to some more sophisticated view punctually, but begin with the crystal clarity of simplicity initially. After that, you can start to complicated, little bit by little bit, knowing you have an excellent foundation to operate from.

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So let us say we happened to be known as Suzanne Collins. Our encapsulation of the story could be something like that:

At a dystopian future world, teens are pitted against each other in a grim struggle for survival — and it plays out on a reality TV show.

Just guessing, but that notion seems like it could have a real prospect of doing well, do not you believe?

Next up. We’ll need to replicate our story with the character, and that is where we go next…

Want more? You may want to use this aid on bettering your story, and you may well gain from building your account up through the snowflake procedure. 

The snowflake procedure is a means to assist you in building your story up in layers — starting simple and becoming gradually more complex.

2. Build your Character

Next, you need to work out who’s going to direct your actions? 

Maybe you’ve got a solid idea in which case you have possibly written about them as you outlined your storyline ideas.

Only be mindful. The classic newcomer mistake is that: you begin with the character you would expect you to select. How to start writing a book shouldn’t be more difficult.

That sounds just like it can’t be a bad thing, correct — but evident decisions are rarely the best. Think about these stories and that you want to direct them

2. Create the Setting

If your story is put in that sort of world, you want to put the parameters out as clearly as possible before writing your book. This exercise is known as world-building, and it truly matters!

However, most people setting out to write a book will soon be dealing with far more normal New York settings. London. 

Even if the location is broadly known and the setting is modern, you still have to find your settings.

3. Invent the Mood and Tone

Less tangible, but equally as significant, you likely know something about the disposition of this book. Might it be grim? Light? Funny? Grim and humorous?

And what about the voice you are writing in? Is it conservative or gloomy? Or can it be cutting edge, urban, trendy? Or something different?

Obtaining those items is essential — but it isn’t easy to plan these things.

You’re able to build a plot outline by a blueprint. That is what we’ve done in this blog post up to now.

You’re able to figure out the character using a character growth poll and forcing yourself to keep moving till you’ve got a name facing you.

However, what about gender? What about prose style? What about the mic of this writing itself?

4. Consider Touchstones

Some books have touchstones. However, matters that might or might not play a massive direct role in the story you will inform are still an important reminder about why you wanted to write something in the first location.

And maybe you recall I said one of my detective books some time back — one about my detective stuck in the snow, dying of hypothermia.

That book was about the cold. Before the weather turned, there have been plenty of references to the weather about to reverse. Subsequently, it turned. There was that scene from the snow. There were additional important, significant scenes in which the snow-dominated. 

Then, eventually, average weather returned, and the book came to a close… but using a denouement set at the far north of Norway, during the last ice.

That chilly reverberated throughout the book. It is how I recall it in my mind. It is what decided the book cover. It is how viewers think about doing it.

When you’ve got such a touchstone, note it all down.

Otherwise, it does not matter. You might (very likely) discover you do, in actuality, have only one as you write. And in the event you still do not, it doesn’t matter. It’s possible to write a perfectly fine book with no.

Equally, if you would like to write in the first person, that is most likely the best way to go. If it feels natural to write in the next person, do so. There is no wrong or right here, Only a few good rules of thumb:

Do not have too many protagonists. It is OK to have only one!

Do not change the point of view in a chapter or scene. That is quite a difficult thing to do well — and many new writers create a dreadful mess of it. 

The past tense remains the default storytelling stressed. If uncertain, make use of it.

The first person is used when you’ve got a powerful voice to the person in question. In other situations, the third person is likely better.

However, those matters are rules of thumb only. If you would like to do things differently, then do it. The one thing that matters is that you get a crystal straightforward storytelling arrangement that is evident to viewers — and apparent to you.

Want more? The one thing I’d say concerning points of view and all of this is that in case you DO make a mess of things, it may be an awful lot of effort to type out. Therefore, although my main advice is merely that it is probably sufficient to move only how you planned — if you’ve got questions or doubts, then read all about standpoint. 

It is much better to invest 30 minutes figuring out those things upfront than creating a wreck of your entire book and giving yourself a substantial rewriting job.

5. Create your Secondary Characters

Eventually, your main character will bump into others, and a few of those connections will be crucial. 

You do not have to know quite as much about these characters since you do on your primary, but if you have a notion of a few of the other important players, then write down everything you’ve got, however sketchy your thoughts at this point.

Thus do as we have done so much: sketch out everything you understand about your primary, secondary characters in a fast, economical way.

And congratulations, since…


The reality is that in case you’ve written notes on each of the points mentioned earlier, even only covering a couple of pages, you’ve probably already improved your likelihood of completing your first publication by about 500 percent.

Not only that, but you have saved a ton of time. You have kept yourself out of untold dreadful errors.

6. Get into Good Writing Habits

There are just three things that distinguish actual writers (i.e., the persons who go to get book deals and market many books) and people-just-playing-at-being-writers. These are:

Passion. Real writers are almost always enthusiastic about how to start writing a book.

Technical ability. This usually means you’ve got to have the ability to master the skills spoken about in this blog article. 

And I understand you are just beginning in your writing journey. That is alright. We all had to start someplace. But actual writers go on getting knowledge and skill forever. You have to be the same.

Great writing habits. Along with the habit that things first and foremost? That you write every day? And in case you can not write daily (due to childcare or employment commitments or anything, then you want to specify what your objectives are (X hours each week, Y million words composed). 

And you have to satisfy these aims. Real life’s catastrophes aside, you only have to fulfill make the time to write. And in case you can not readily make an effort to write — then you write anyhow. 

At sunrise. At midnight. On a train. Having a kid yelling in your ear. Whatever. If you’re writing a book, you have to create the opportunity to do yourself justice.

Is that simple? It isn’t.

However, II never mentioned it’d be easy to start. I only explained how to start writing a book.

And I have only completed this. So yay for me! And yay for you too, for reading this far. Please share!


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